The Harried Mystic

Rousseau's Dream

So much of life is fantasy. We delude ourselves, collude with the self, and allude the Self. We play with existential dilemmas, anguish over them, turn ourselves inside-out, and hold ourselves too often incompetent in the face of life’s drama. This is the dark side of our imaginative capacities. We are creative spirits and we delight in the construction of new worlds including those in which we are hero and anti-hero. This is all thoroughly beautiful as long as we stay in touch with what we are doing.

So, where’s the problem? The biggest source of our suffering is rooted in forgetting that we made it all up. It was Plato who said: ” All is remembering.”

I am a novel full of intersecting plots and diverse characters ( from simple to complex, wise to foolish, grand to petty, beautiful to ugly, well-meaning and kind to selfish and misanthropic), places ( real, imagined, and an amalgam of the two), and times (the present, a distant future, or an, as-if remembered, past). This is the Kabuki theater of the mind and the manufacture of selves.

So, it’s no wonder that we love going to the theater and the movies, and enjoy the art of story-telling and having stories told to us. The state of play of our condition can be perhaps best assessed by watching the changing face of the Best Seller Lists, what makes it big at the box office, what thrives and what dies in dramatic television series. It is all the projected stuff of our nature externalized on paper, celluloid/ acetate, stage, or digital media.

So what do we then do when our own stories of self intersect with those of others, and the grand collective, interactive story that our cultures and world is ever actively weaving? What are we to do when we find ourselves caught up in challenges that we didn’t make, but that others and other forces seemingly conjure up for us?

1. Think Less, Move More: It would be good to dance. If you are able, dance, free form or otherwise. Get lost in movement and let the cognitive circuits cool down. It can be as simple as a brisk walk, but a dance with more complex movement would be best. Tai chi or Yoga would also fit the bill.
2. Leap To Faith: It is important to take a leap and put the logical machinery aside. Note that this is not a leap “OF” faith, or blind belief, but a leap “TO” faith, a choice to suspend analysis and go with gut instinct. If writing, switch to poetry. If not, vocalize what you feel, and know that you know what to do even if you think you don’t.
3. Consult the Sacred Scribe Within: Many have discovered the virtues of “proprioceptive writing,’ automatic writing, or stream of consciousness writing and these are powerful tools. In addition, paying close attention to dreams, what Erich Fromm once referred to as the “forgotten language” in his book of the same name, is perfect practice. In doing the latter, watch the images. Remember, that the one who writes your dreams, the Divine Inner scribe, the Beloved, already knows all the secrets and wants to show them to you.
4. Laugh: Find cause to really laugh because the only cure for the tragic in life, as Shakespeare knew so well, is high comedy.

American poet Walt Whitman sums it up beautifully in his “Song of Myself“:

51

The past and present wilt–I have fill’d them, emptied them.
And proceed to fill my next fold of the future.

Listener up there! what have you to confide to me?
Look in my face while I snuff the sidle of evening,
(Talk honestly, no one else hears you, and I stay only a minute longer.)

Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

I concentrate toward them that are nigh, I wait on the door-slab.

Who has done his day’s work? who will soonest be through with his supper?
Who wishes to walk with me?

Will you speak before I am gone? will you prove already too late?

52

The spotted hawk swoops by and accuses me, he complains of my gab
and my loitering.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow’d wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.

In telling the tale of ourselves, let us write the story forward with exuberance.  Embrace the grays and shadows as punctuating edges and frames for our colors. Let us abandon ourselves to the weaving we do on our looms of song and image and weave from the heart.

It is a great solace to know that the grand writer, song-maker, choreographer, and artist who resides in our souls, who is our soul, already knows how it all turns out. We pose the riddles for which we already have the answers but, as a matter of right order and creative decorum, it is a compromise with infinity that we feign ignorance of them ( forgetting) lest the Agatha Christie mystery of life lose its suspenseful and electrifying savor.

© Brother Anton and The Harried Mystic, 2009. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited.

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